How to cook the perfect steak.

Everything you need to know to make a satisfying steak at home.

Cooking a steak perfectly can seem overwhelming. Which type of steak? How long to cook? What about seasoning and pan heat?
I’m going to answer all of those questions, and more, to get you cooking steak like a pro!
Plus I’ve got some fantastic sauces to serve with your steak.

  • Let’s start with the steak of course. I recommend a good quality thick (2-2.5cm cm thick) ribeye or sirloin steak with some fat running through it.
    • Ribeye tends to have a chunk of fat in the middle and some smaller veins of fat (see image above).
    • Sirloin just tends to just have the smaller veins of fat.
    • We’re going to concentrate on those cuts, but I’ve also got a note on cooking fillet steak in the notes section of the recipe card.
  • DON’T be scared of seeing fat on your steak – some of the fat renders down to help ensure a juicy steak. We also crisp up that fat when it’s in the pan. Fat is GOOD
  • What you do need to look out for is gristle – these are streaks of chewy/rubbery cartillage, that aren’t broken down during cooking. You sometimes find gristle as little wriggle lines of of-white in the steak. A little bit (that you can cut out when eating) is fine, but any more than that makes it a far less enjoyable steak.
  • For cooking the steak, we also need a high smoke point oil (such as sunflower oil), plenty of salt and freshly ground black pepper, a little butter, and if you want to to add some extra flavour, a few cloves of garlic and some fresh thyme or rosemary sprigs.
  • For a 2.5cm thick ribeye or sirloin, cooking to a MEDIUM level of doneness (more info further down the posts for different levels of doneness):
  • After taking the steak out of the fridge to bring it too room temperature, we coat the steak in oil on both sides, then add plenty of salt and pepper on both sides of the steak too.
  • Add the steak to a very hot pan – preferably cast iron.
  • Cook for 4 minutes, turning EVRY MINUTE.
  • During the last minute of cooking, add butter to the pan, plus a few lightly crushed, peeled garlic cloves and a couple of sprigs of thyme or rosemary. Baste the the steak with the butter during the last minute of cooking.
  • Take out of the pan and leave to rest for at least 4-5 minutes before serving.
  • If you like, you can serve with a delicious steak sauce (some ideas below), or top with some garlic butter.

PRO TIPS For the Perfect Steak 

Type of pan:
Use a heavy-based frying pan (such as a cast iron) or a griddle pan. The retain the heat well, so the pan won’t go too cold when you add the steak to the pan. Cast iron pan also evenly distribute the heat, so you’re less likely to get hot spots, leading to uneven cooking.

Overcrowding:
Cook no more than 2 steaks at a time. If the pan is over-crowded, the heat will be reduced, meaning any liquid that comes out of the steaks won’t be able to evaporate quickly enough, and they’ll end up boiling instead of frying. That means no beautiful char, and therefore a lot less flavour.

Oil the steak:
Oil the steak, not the pan – this is so you get a nice even covering on the steak. You don’t have to worry about the oil not being hot when it goes on the steak. Our pan is going to be so hot, the oil will heat up instantly. Use a flavourless oil with a high smoke point – such as sunflower oil.

Season well:
As well as the oil, we want to season the steak generously with salt and freshly ground pepper.
Some people say that seasoning with pepper before cooking will cause the pepper to become bitter, but I have never found that.
The key is to use freshly ground black pepper that’s a little bit coarse. Don’t use fine pepper powder – that is more likely to burn.
You can make the pepper very coarse if you prefer it that way (just bash the pepper in bag with a rolling pin). Personally, I use a pepper grinder, so it’s just a little bit coarse.
You may think you’re adding too much pepper to the steak, but the flavour of the pepper ‘cooks in’ to the steak as you’re frying it, so it won’t be overwhelmingly peppery.

Steak thickness:
I tend to look for steak that is around 2cm-2.5cm thick. Any thicker than that and you will have to adjust the cooking timings, and are at risk over overcooking the outside of the steak, whilst the middle remains undercooked.

Don’t go straight from the fridge!
Cooking a steak right from the fridge is a BIG no no.
We’re cooking the steak for a short amount of time to get that perfect outside char. We really don’t want the steak to still be cold in the middle when we get to the char stage.

Type of steak:
My recommendation in most cases is to go for ribeye or sirloin steak. Look for a steak with thin veins of fat running through it. This fat will render down during cooking, resulting in a tender, juicy steak.
Try to avoid steak that has a big vein of gristle through it. No one wants to bite into that.
Also, don’t be afraid if the steak has a lovely fat strip of fat on that outside. That fat will give the steak more flavour during cooking. You don’t have to eat it (but I always nibble on a little, because it’s rather tasty).
You can of course use other cuts of steak if you prefer, but they often need different cooking times and sometimes need finishing in the oven.
I have some info below (notes section of the recipe card) on cooking fillet steak – but that one can be trickier, as it’s a lot thicker and leaner than ribeye or sirloin.
Other types of steak include rump, T-bone, flat iron, Denver, skirt and flank. Let me know if you want to info on how to cook any of these cuts in the comments below.

Even cooking:
Rather than cook one side until it’s perfectly browned (which can take a few minutes), then cook the other side for less time (so the steak isn’t overcooked), turn the steak every minute. This will help to ensure even cooking and char on both sides.

Rest the steak:
A good rule of thumb is to rest the steak for at least as long as you cooked it. This will allow the fibres to relax, and you’re steak will be juicier and more tender for it.
Rest on a slightly warm plate or wooden board.

Cooking times (for a 2cm-2.5cm thick Sirloin or Ribeye)

(Turning the steak every minute)

  • Rare: 3 minutes total
  • Medium Rare: 4 minutes total
  • Medium Well: 5-6 minutes total
  • Well done: 8 minutes total

Top with one of these amazing sauces

Learn more here.

Blonde Blindness

How Blonde is too Blonde? Can you take it too far?

So, what do colourists really think when you badger them to go blonder?

‘I don’t believe there is a rule on how blonde anyone should go, I tend to think of the hair condition first and then the client’s overall style,’ says Lamb (who incidentally couldn’t do a ‘bad’ blonde if she tried). ‘You can be as blonde as you want but only if your hair can take it. Over-processing your hair equals damage and damaged hair makes your colour looks dull, which again gives you that urge to want to be blonder. It’s your colourist’s responsibility to make sure they are not overlapping the colour as that will double process your hair. Your colourist will build up your blonde up to a point in order to give you the desired blonde but it’s all about knowing when to stop and not pushing it to breaking point…literally.’

To avoid being blighted by blonde blindness, Lamb advises keeping on top of your roots rather than dragging out your appointments which then means you’re left with having to overload your hair with foils and/or balayage. ‘A good pick-me-up for when you’re feeling low in between appointments is to go for my signature 12 foils technique which means just placing colour around the high points of your face. It’s the perfect way to lend a natural-looking boost of brightness.’Did I mention I’m seeing her tomorrow?

Read more at

https://graziadaily.co.uk/beauty-hair/hair/blonde-blindness-what-is-it/

Why intelligent people are hated

The sad truth about how we function socially

Check out this informative video.

Why do people flock to comforting nonsense?

Schopenhauer’s insights from 200 years ago reveal why intelligence often leads to social isolation. He observed that intelligent individuals make others feel inadequate, activating threat responses in the brain similar to physical pain.

This is especially pronounced in group settings. Schopenhauer noted that intelligence triggers unconscious self-measurement, leading to feelings of being judged. Modern research confirms these patterns.

Schopenhauer’s teachings offer strategies to navigate these social challenges, such as recognizing social dynamics, choosing the right moments to share complex ideas, and finding a supportive community.

Horror Movie Survival Guide

A podcast to check out this October

Horror Movie Survival Guide is a weekly podcast where longtime friends — and unlikely gore enthusiasts — Julia Marchese and Teri Gamble watch and dissect horror films through the lens of survival. Every episode asks the essential question: how do you make it to the end credits as the Final Girl? From cult classics on VHS to contemporary releases, they dive into obscure details, imagine alternate casting choices, swoon over charming rogues and unsettling uncles, and equip themselves (and listeners) with the tools needed to outlast the horrors on screen.

List on Buzzsprout or follow on Instagram!

Julia Marchese is a filmmaker, actor, writer, film programmer and cinephile. After studying film and drama at UCI she moved to LA where she performed in several plays and films, including “Delta Delta Die” by Full Moon, the psychological thriller “Golden Earrings” and Joe Dante’s “Burying the Ex”. 

Julia programmed films and hosted dozens of Q&A’s at the New Beverly Cinema, and in 2016 released her first film, Out of Print, a documentary about the importance of revival cinema and 35mm to culture. The film has played all over the world in film archives, art house cinemas and universities. There is a 35mm print of the film that is now housed at The Academy Archives. 

She recently completed filming on her Dollar Baby adaptation of Stephen King’s short story “I Know What You Need”, shot on location at the University of Maine. 

You can follow her on her social media platforms @juliacmarchese 

Teri Gamble is an international performing artist and drama coach who has performed on international stages from Los Angeles to Moscow, Boston and New York. Teri is currently based out of Los Angeles where she is a prominent Karaoke Jockey and woman about town. She has appeared on the hit TV series Modern Family and ER and has appeared in numerous theater productions and commercials.

Teri is the co-host of Horror Movie Survival Guide – a horror movie podcast you can stream anywhere you listen to podcast. She is also an avid D&D – tabletop roleplay gamer – and can be found on various podcast and streaming channels on Twitch (12 Sided Stories, Happy Jack’s RPG and Saving Throw Show).

You can follow her on the social media platforms @TheTeriGamble

13 Horror Films that don’t suck.

Forget the duds — these 13 horror movies are genuinely worth your time, whether you’re chasing scares, suspense, or some twisted fun.

Let’s be honest — for every horror movie that leaves you sleeping with the lights on, there are a dozen that are forgettable, poorly acted, or just plain ridiculous. Sifting through the endless stream of jump scares, bad CGI, and lazy clichés can feel like its own kind of nightmare. That’s why we’ve done the dirty work for you.

Whether you’re a seasoned gorehound or a casual creeper looking for something worth your time, this list rounds up 13 horror films that actually don’t suck. From cult classics to underrated gems, these are the flicks that deliver the scares, the tension, and maybe even a few unexpected laughs — less filler, less fluff, more horror.

The Autopsy of Jane Doe

John Carpenter’s The Thing

Rob Zombie’s Halloween

Late Night with the Devil

You’re Next

Get Out

Pulse (Japanese version)

30 Days or Night

The Watcher in the Woods

Kuroneko or One Cut of the Dead

MadS

It’s What’s on the Inside

Mandy

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